To intercede in the forms of constructing subjectivity is a work of constant intervention. Starting with this premise, and based on the practice of live drawing, nine performers created a collective body of work that sliced through the 31st Bienal, pushing well-defined boundaries in artistic institutions: work, public, exhibition space.

Drawing materials were distributed to the visiting public, who were invited to use these (common) tools of artistic work. Drawing the performers, the space, and the exhibited work, the public could be perceived as a sensory and material producer, and not simply as spectator or consumer.

The action was carried out in partnership with Como Clube, which existed as a physical space for artistic interaction for five years and is now a virtual platform.